Sampling is rare in modern Pakistani pop. The reasons for this are not completely transparent. Onerous licensing discussions with EMI, and now their brutal enforcement on YouTube (as seen with Coke Studio 12) is probably part of it. Another vector is that modern electronic music relies heavily on sample libraries, that come with flexible licenses and immense variety. The ease of using these libraries compared to sampling older Pakistani music is significant.
دس میں کی پیار وچوں کھٹیا
دس میں کی پیار وچوں کھٹیا
دس میں کی پیار وچوں کھٹیا
Sampling is rare in modern Pakistani pop. The reasons for this are not completely transparent. Onerous licensing discussions with EMI, and now their brutal enforcement on YouTube (as seen with Coke Studio 12) is probably part of it. Another vector is that modern electronic music relies heavily on sample libraries, that come with flexible licenses and immense variety. The ease of using these libraries compared to sampling older Pakistani music is significant.