Young Stunners’ body of work is staggering. It is not only the amount of work that they put out, but the growing quality of it, the authenticity of the…
Zeerak Ahmed
Musab Bin Noor was kind enough to pen an essay for Hamnawa, in celebration of Shaukat Ali, upon the request of friend of the show Omer Tariq. I want to…
Zeerak Ahmed
Which Pakistani musicians you should pay attention to in 2021
Zeerak Ahmed
Shahan Shahid writes about the latest single from Roots, which is fronted by friend of the show Rutaba Yaqub: A common lament on great Pakistani indie …
Zeerak Ahmed
This song is a direct descendant of eP’s Irtiqa album. The architect of that album, Xulfi, holds the mixing and production credits on this song. In fac…
Zeerak Ahmed
This recording, from the recently released EP by Miracle Mangal, is wonderfully melodic. Miracle Mangal describes itself as an ‘electronic music collec…
Zeerak Ahmed
A Romance in Three Acts
Zeerak Ahmed
Sarah Asif responded to the post on Zahra Paracha’s Bekhudi. She prods, of this video and of Dhaani, “I believe if we change body for body, we are not …
Zeerak Ahmed
The last 12 months saw a proliferation of music shows. The main reason this is happening is that this has been a visible, and (arguably) successful mar…
Zeerak Ahmed
The striking thing about seeing videos of Hasan Raheem and Maanu traipse their way around Karachi and Lahore in normal places doing slightly strange th…
Zeerak Ahmed
It’s been a great season for cricket music, and I am sad to write this after an unfortunate end to the Pakistan Super League. I’ve been thinking a lot …
Zeerak Ahmed
I got the chance to talk to Nosher Ali Khan, who along with the Lakshmi Mittal and Family South Asia Institute at Harvard University is creating a web-…
Zeerak Ahmed